Skip to main content

Daily Sketch 13 - Deadpool

I got a new Moleskine sketchbook in a human size after drooling over JR's (see http://jimssketchblog.blogspot.jp/) nifty LotR one. Mine is the ltd. ed. Mickey Mouse one, so there! Anyway, after talking to several artist friends, I've decided to use this bigger sketchbook to explore things I've drawn in my smaller one. 
This is my first big sketch. It's Deadpool because I recently started reading Deadpool MAX (almost wrote DP MAX, but that would be oh so wrong) and I really liked it. Kyle Baker is so awesome and he's the reason I bought it. 

This is the smaller piece I did yesterday that inspired the bigger one. 

I won't be doing the big drawings every day, but whenever I want to explore new stuff or try new techniques I'll use the bigger book to do so. The challenge for this particular piece was doing all the scarring. The texture overwhelmed the costume tatters as I was afraid it would, but I'm still not unhappy with the results. 
I'd be happy to take any kind of constructive criticism. 

Here's a guide:
Unconstructive crit: You suck. 
Constructive crit: You suck because... and you would suck less if you...

Comments

Popular posts from this blog

Karate Kid, IF "Similar" and SCBWI Tokyo Art Show

The Karate Kid changed my life. The movie, of course. Not the Legion of Superheroes comic character. I'm watching it right now as I type this blog and I was thinking about how many of my perceptions about karate were shaped by Mr. Miyagi. I was never big on "sports" movies, I never saw Rocky. But I knew what it was like to be the little guy. The new kid on the block. And I knew what it was like going up against an institutionalized system of separating the "winners" from the "losers". Luckily, I had friends in and out of school that liked me for who I was and not for who I desperately thought I wanted to be. It took me a little while and Karate Kid 2 to realize what I did want. The summer that KK2 was the summer where I decided to take control of my life and stopped worrying about what the @$$holes thought. It wasn't even a gradual thing. Once I had made that decision, suddenly things started changing around me. I had confidence and that made it ea

Tokyo Akahon Manga “Gulliver’s Travels” by NAKAMURA Hiroshi

According to a post by akahon manga researcher Yuuzora Retro (pen name), the Tokyo-based publisher Taikōdō ( 泰光堂 ) created their Manga Classics series in response to the PTA backlash against manga contributing to delinquency in Osaka. This is Gulliver’s Travels by NAKAMURA Hiroshi (中村ひろし), a B6-sized 3-color akahon* printed with red ink fills on either blue or green lines costing 85 yen. NAKAMURA seemed to be the main artist for Taikōdō as evinced by the ad pages at the back. There is no publishing date, but it probably wasn't too far from 1951 when "Cinderella" and "Snow White" from the same series were published. Looking at the stamps on the endpapers on the back, we can see that this particular book was rented out at a kashihon-ya (rental comic shop) in Saga, Kyushu called Imazato Neo Shobō. It was lent to me by a Mr. Fujita, a collector heavy into Showa-era items. I will continue to introduce the books I was able to borrow from his

Starry-eyed heroes of Akira 'Leiji' Matsumoto

Hello, friends and manga-philes.      You probably know that my interest in Japan was originally fueled by a combined interest in Japanese animation and martial arts. My interests expanded somewhat over the years, but one big change happened about the age of 15 when I bought my first Japanese collected comic. From that moment on, I became more interested in comics than animation and eventually after moving to Japan, I started to collect the comics of Mr. Leiji Matsumoto .       At first, I was put off by the heavy-lined art and blocky characters, but the more I got into the stories, the less I cared about the style. Eventually, though, I started to appreciate the artistry much in the same way it took me a while to warm to Jack Kirby's art.      Like most Leiji fans, I was heavy into Space Cruiser Yamato , Captain Harlock , Queen Emeraldas , and finally, Galaxy Express 999 . These comics were created in the 70's and are representative of Matsumoto's style of that time. After