Skip to main content

Int'l Comics Festival Tokyo 2013

 I'm home from Tokyo Big Sight and my feet are set on "hurt like hell", but I had an amazing time. I got to meet some greats, sold a good number of books, promoted the Hexenringe webcomic (http://hexenringe.blogspot.com, still promoting :c) ), made some contacts, and picked up some great books!

This was the chaos that was the "patokon" booth. 
Jim R. really helped out with the boothing and stuff. 

Tomoko Hirabayashi, the artist of Hexenringe, and I gave out sketches to people who purchased the Preview Book   Her sketches are the really tight ones.

I sold out of the American Comic Sound Effect Dictionary again (woohoo!) and the preview book did really well, but the Zombie Alphabet book didn't do great. It could have been the price and the fact that there's no Japanese (or maybe the art, but I don't wanna go there). 

After the event, there was an After-Party and I got to talk to two of my favorite Euro comic artists - Guarnido (Blacksad) and dePins (Péchés mignons). They were both really nice. I didn't even bother trying not to be a complete fanboy. I also talked to Katsuhiro Otomo (Akira) for quite a bit. 

I got the feeling that he is still trying to get out of the shadow of the huge, hulking masterpiece he created. 

Brian Stone and Matt Loux were there with their new book Thunderclaw, which I can't wait to read. I loved Matt's Salt Water Taffy that I bought at this same event last year. 

Thanks to everyone who came and showed their support! 

Comments

Popular posts from this blog

Tokyo Musume

In just a few days my first solo exhibition will open in Tokyo. July 16th to my birthday July 21st. I'm very excited and more than a bit nervous. The theme is Tokyo Musume (Tokyo Girls) . I'll also display several works from the 100 robots series which I have up on comicspace . I'm also a complete wreck trying to complete a design job for a big publishing company (logo for an online comic) and the opening to a tv show for another big company all while trying to finish more artwork for the show. The pic you see here is the postcard/flyer for the show. Also is a larger view of the map. If you are in Japan, you can find Gallery House Maya very easily. At Gaienmae station, take Exit 3 and go straight to the cross signal. Cross and turn right. You should pass a Family Mart on the left. Take the first left. After about 3 minutes you should see Maya on your right. It's a small house/gallery flanked by two large bushes. The gallery requests that no one sends flowers, but genero...

Crosshatch practice - Edward S. Curtis "Big Head"

I decided to continue to practice crosshatching and I thought I photos by photographer Edward S. Curtis might be excellent thanks to the balance of light and dark and clear gradations in his works. The moment I saw the photo of Big Head (his name, original found here: http://m.theatlantic.com/infocus/2013/04/native-americans-portraits-from-a-century-ago/100489/) I knew that he would be the perfect practice subject. I did a very quick layout with blue-pencil, added a few shading guides, and then jumped right in with a Tachikawa Finepoint System 0.1 and 0.4. I put emphasis on trying out techniques rather than slavish attention to detail. Even though I'm working on developing a more cartoonish style and don't intend to focus on realism, it was definitely an excellent way to practice drawing uniform lines and applying different combinations of patterns. I realize now that in some areas, I should have left the horizontal lines alone without crossing them with verticals. I'm goin...

DSC 19 - Cable & Baby Deadpool

I like it when heroes aren't too serious. Kyle Baker's turn on Plastic Man, Flaming Carrot, Megaton Man, normalman, The Tick are all favorites of mine. I think I like Deadpool for the same reasons.